THE POPE OF VANITY FAIR AND ISLAM - Frontpage - Thom Nickels

Traditionally, a religious leader should stand outside the orbit of worldly spheres. He should represent a set of values apart from Hollywood, the talking points of the DNC, and the philosophical swagger of New York icons like Patti Smith, Vanity Fair, and Vogue. Robert Prevost, or Pope Leo, is full of empty, blabbering swagger. He has declared that for Christians, “Islam is not the enemy.” He has put these words into action with his regular meetings with Islamic leaders in order to thank them for their peace-building efforts. In April 2026, he visited the Great Mosque of Algiers during his tour of African nations. He has stated that people who are fearful of Islam tend to be people who are against immigration (like the left, he dignifies illegal migration as ‘immigration’). And yet he utters not a word about the thousands of Christians being slaughtered in Nigeria but instead calls for “communion with Muslims.”

More blabbering swagger surfaced when Patti Smith visited Pope Leo XIV in July 2026. During that visit, Smith was as giddy as a high school girl on her first date. Here she was, an artist who lived with Robert Mapplethorpe, cavorted with poet Allen Ginsberg — and even prayed Buddhist prayers for him as he lay dying in New York City — here she was, a great lover of a certain school of French literature, mainly the novels of Jean Genet, being received in Rome for a 40-minute chat with Leo as if she were the First Lady of a small empire. Now, Patti Smith is probably the one artist who achieved fame for being at the right place at the right time. It’s not her talent necessarily that got her there, but the manner in which she made connections and used them to her advantage. She made the New York art scene her own, thanks to photographer Robert Mapplethorpe, and today she’s a regular visitor at the Vatican. She met Pope Francis in 2013 and performed for him in the Vatican. She’s a genius at self-promotion. It’s ironic in many ways that the first lady of punk and Jean Genet — Genet’s homoerotic novels of male prostitution, anal intercourse and criminality, like Our Lady of the Flowers and The Thief’s Journal, still command a wide literary audience — should be welcomed into the papal apartments while traditionalist Catholic organizations like the Society of St. Pius X, are refused entry.

Why did Robert Prevost, who also has a thing for the earth goddess, Pachamama, give 40 minutes of his time to a woman who once said, “Jesus died for somebody’s sins but not mine,” but not to a traditionalist wing of his own Church? A cautionary note about Patti Smith: She was not always so “cool” and “liberated.” A documentary on Tubi on the life of Robert Mapplethorpe shows the two of them meeting in New York as young artist-wannabes. Mapplethorpe, unsure of his sexuality at that point, has an affair with Smith but he is soon attracted to New York City’s gay leather bars. When Smith discovers Mapplethorpe’s secret life, she reacts much like any housewife in the 1950s: she’s hurt, scandalized, and spends an inordinate amount of time crying. She walks out on Mapplethorpe in an angry huff. Smith’s visceral reaction to Mapplethorpe’s homosexuality brought out the superficiality of her bohemianism: Her idea of being a rebel did not include breaking society’s standards when it came to the rules of coupledom. With Pope Leo, it is understood that “meeting people where they are” is an important part of the papacy. The pope is also a head of state. But meeting pagans, witches, communists, feminists, Father James Martin and Democrats who venerate abortion or drag queens who may have sold their soul to Satan, doesn’t mean that he necessarily agrees with these people. This is what Vatican officials say, anyway. But when he constantly meets with people like this, you begin to sense lies. You begin to sense an agenda. Something is truly rotten in Rome.

If he were really a true representative of Jesus Christ, he wouldn’t be afraid to use “strong arm” methods in attempting to convert the assorted lot of celebrities who cross his path. But Robert Prevost is afraid to do that because it would only upset the secular media, who would then cancel culture him. There would be no Vogue or Vanity Fair articles on his fashion sense. His wearing of Nike sneakers under his cassock (what happened to the standard fashion rule that one should never wear sneakers with dress pants?), or his casual love of American baseball caps (“So cool,” say Chicagoans, unmindful of the fact that Leo considers himself first a citizen of Peru and lastly, an American citizen) would no longer be idolized. Robert Prevost smiles that wide, crooked smile of his and lets Patti Smith be Patti Smith; he lets an atheist stay an atheist and a pagan, a pagan. One word of recrimination, a plea to change your ways — like Christ did to the Samaritan woman at the well or the woman caught in adultery — will get you in trouble with the world. Vanity Fair will cancel your photo ops. With the “coolness” dead, you will be known as the mean pope who is too rigid. Readers surely remember the media fuss over Pope Benedict XVI’s red shoes, called Ruby Red Slippers in some circles, which did not tickle the fancy of Vogue or Vanity Fair editors if only because the red shoes came to symbolize inflexible Catholic dogma and Pope Benedict’s holding the line regarding traditional Catholic morality. Esquire magazine, however, was the notable exception when it listed Pope Benedict as “accessoriser of the year.” Esquire theorized that Benedict’s red shoes were probably made by a famous Italian fashion house. A lot has changed since 2008. Consider ABC News’s story on Pope Benedict’s shoes versus the media’s handling of Pope Leo’s fashion style. “While the Vatican had never confirmed or denied if the shoes were Prada,” ABC reported then, “continued chatter about the pope’s dress sense led the Vatican daily L’Osservatore Romano to print a condemnation of media stories it said trivialized the head of the church.” L’Osservatore Romano stated that the inclusion of the pope on its best-dressed men’s list was, “of a frivolity that is very characteristic of an era that tends to trivialize and does not understand.” “The pope’s shoes,” the article continued, “like his range of flamboyant hats, are nothing to do with vanity but all to do with tradition…The Pope, in summary, does not wear Prada, but Christ,” it said. So far, L’Osservatore Romano, run by Jesuits, has been silent on the “trivialization” of Pope Leo re his Nike sneakers and baseball hats. When Robert Prevost met and prayed with the female Archbishop of Canterbury, the secular photo-ops captured the moment in its most superficial glory: Here is the pope playing nice with the Church of England; being respectful, etc., so how can this be wrong? The meeting itself was not wrong, but what the secular observers did not realize was that Pope Leo’s namesake predecessor, Pope Leo XII, declared that Anglican orders are invalid, meaning that Church of England priests and bishops are not priests and bishops at all but more like costume wearers on Halloween, or outright imposters. This is still the doctrinal language of the Catholic Church, despite the handshaking and crooked smiles of the current Bishop of Rome, who seems to be working overtime to change the Catholic Church forever.