There’s no better place to
celebrate 40 years of Irish Studies at Villanova University than at the Kelly House in East Falls . There, amid the still-intact (and still beautiful)
examples of Kelly for Brick Work—John B. Kelly, father of Grace Kelly who
became Princess Grace of Monaco, was a brick layer—Irish literature aficionados
of all ages gathered in celebration: Grad students, writers, College Deans, two
bona fide Kelly family relatives, Susan Kelly Von Medicus and John B. Kelly, III , as well as former Villanova professor of theology and religious
studies, Rodger Van Allen.
The upbeat mood in the Kelly House was contagious,
outstripping the solemnities you might
expect at an anniversary event featuring a symposium that focuses on Irish
writing from a diasporic perspective.
At the reception following the afternoon
panel discussion, live Irish music helped guests circulate and chat with one or
all of the evening’s four presenters, such as James Silas Rogers, editor of the
New Hibernia Review and Director of
Irish Studies at the University of St. Thomas, who looked every bit the poet in
his Irish Fisherman’s Crewneck sweater which had the added effect of making him
look like Welsh poet, Dylan Thomas.
The
word ‘Welsh’ isn’t too far off the mark because presenter David Lloyd, a
Welshman, Fulbright Scholar, professor of English at Le Moyne College in
Syracuse, New York, and the author of ten books, read about his Welsh roots while
Dr. James J. Murphy, the son of two Irish immigrants who grew up in Brooklyn
and who later became a professor at Villanova as well as the founder and first
director of the Irish Studies Program at the school, went on to mesmerize the audience
with his dry humored, over-the-top hilarious essay, “A Child’s Christmas in Brooklyn,” a story of the early Christmas’
he knew as a child with his immigrant parents. The memoir brought Dr. Murphy close
to tears several times but he was saved from the precipice of sorrow by his wife
Kathy, effervescent as a cheerleader, who urged him on from the audience: “Go on. You can do it!” she said.
Later, Dr. Murphy would tell me how Kathy
Murphy accompanies him on all his lectures, sitting in the front row and urging
him on in a similar manner.
Christine Cusick, Ph.D, an Associate Professor
of English at Seton Hall University , shared her memories and thoughts about growing up
Irish and Polish.
Among
the guests was Adele Lenbenmeyr, PhD, Villanova Dean of the College of Liberal Arts and Sciences, an accomplished author herself whose
books include studies of Imperial and Revolutionary Russia. Had any one of the
featured memoirists fallen ill and a speaker’s space needed to be filled,
Lenbenmeyr as well as the evening’s MC, the affable Joseph Lennon, current Villanova
Director of Irish Studies, could have easily stepped up to the podium
James
Silas Rogers told an audience at a lecture delivered at the San Francisco
Library, that the Irish are still distinctive. “You might think that the Irish came
off the boat and assimilated immediately,” he explained, adding that in Irish
literature there’s “a sense of reticence and a great deal of silencing.” An
example of this “silencing,” he said, could be found in the photographs one
often seen in Irish history books. “They tend to be all the same, something
that’s due to the fact that if you’re Irish you should not call attention to
yourself.” Rogers believes that respectability is an obsession with
Irish Americans, and that on a deep level the Irish believe that they are not
the same as other people. He explained that the dancing Irish nun pictured on
the cover of his latest book, Irish-American
Autobiography: The Divided Hearts of Athletes, Priests, Pilgrims, and More,
is Sister Justine from Saint
Louis who is not
doing an Irish jig at all but dancing the Scottish Highland Fling.
The six-bedroom Kelly house was built in 1928
by John B. Kelly. John and his wife Margaret raised six children in the home, which
was sold by the family in 1973. The house had a number of owners after that,
including a deranged cat woman who turned the home into a feral animal farm. In 2016, Albert II, Prince of Monaco, Princess
Grace’s son, bought the house for $755,000 and had it remodeled to look like it
did in the 1950s. Many of the original features can still be seen including the
famous linen closet door with Grace’s height recorded over the years.
In
2017, John B. Kelly, III told CBSNews that, “The whole house, from a brick construction
point of view, is amazing, and there’s not a crack in it. He used this great
mortar that doesn’t need repointing, and it’s almost a hundred years old.”
Guests were encouraged to take self guided
tours of the home. In the upstairs bedrooms there were freshly painted icons in
the Byzantine tradition. The icons are not part of the original Kelly family
décor but were painted by Grace’s niece, Susan Kelly Von Medicus, an icon
writer and teacher at the Center for Irish Studies and the Department of
Theatre and Studio Art at Villanova University . Von Medicus acted as the volunteer bartender during
the event, along with her brother John B. Kelly, III or JB.
Old Kelly family films ran continuously on
a wide screen TV in the Kelly House den. Featured were sunburned children playing
leap frog in the backyard, vintage 1950s cars and shots of the news media
crowding the Kelly brick walled den as Prince Rainer and Grace Kelly gave a television
interview after the announcement of their engagement.
Adjacent
to the den was the old ‘Kelly Tavern,’ the bar that Jack Kelly built to offset
the absurdities of Prohibition. The bar in those days was stocked with large
kegs of beer. Kelly Tavern was alive with every strand of Irish imaginable: Blue eyes, red heads, gingers, black Irish, a
smart smattering of over 65 white haired gentlemen. Many chatted up Dr. Murphy
(who showed them old photos of his family in front of a Christmas tree) while
others asked Rogers questions about the New Hibernia Review.
As
the lone reporter on the premises, I did a mental comparison of the
predominately Irish crowd to the mainly ‘English’ crowds I had observed at
English Speaking Union of Philadelphia receptions. The vibes were similar, yes,
only with the Irish everything seems to move at a faster pace. The musicians
playing Irish music near the Kelly family video screen helped to accelerate the
tempo that at times reached a fever pitch. The melodies even caused Dr.
Murphy’s wife, Kathy, to dance a little jig.
The Kelly House houses the headquarters of
the Prince Albert II Foundation as well as the Princess Grace Foundation USA .
Thom Nickels